Who is Claude Cahun? | Southwark Playhouse

The fascinating true story of Claude Cahun and Marcel Moore is one that should be far more known and acknowledged by us all. An amazing story of courage and identity during wartime, the bravery of these two souls should be plastered all through the history books for all to see. A story such as this would translate well onto the stage but unfortunately this production misses beats.

Performed at the Southwark Playhouse, D.R Hill’s writing is comprehensive and clear with some emotive moments but mixed with David Furlong’s direction, the production feels a little cluttered. Furlong’s direction works best during the intimate scenes with Claude and Marcel with delicate motifs relating to identity. It worked well to bring the actors together physically.

We meet the characters in 1940’s Nazi occupied Jersey in which Claude and Marcel are living secretly as lovers, but presenting themselves as sisters to avoid any speculation. We learn of their times together in 1930’s Paris as part of the surrealist movement and how their gender exploration and love has led them to where they are. They decide to use guerilla art to actively resist the occupying forces. It’s astounding to think of the bravery they must have mustered and of course quite a feat for these actors to reach in their performances. Despite commitment and energy from all onstage for over two hours, the performances feel unbelievable.

Rivkah Bunker and Amelia Armande lack chemistry as Claude and Marcel, however there are moments of authenticity between them and both actors hold themselves with great confidence. Bunker embodies the discomfort that Cahun feels physically with dedication and Armande has a very calming presence and a lovely voice, but as a result the pacing feels a little slow. There is some notable multi-rolling presented with performances from Sharon Drain, Ben Bela Böhm and Gethin Alderman who alter their physicality and voices well particularly with accent work. Their character choices complemented the movement sections.

Jeffrey Choy’s use of moving images and projection was brilliant and painted the scenes very effectively. As with any play reliving historical events with accuracy is important and the use of projections aided this with the use of clarifying date and location, alongside the engaging imagery posted especially during sections of the story exploring their time in Paris. Complemented well with Juliette Demoulin’s set design and Matthew Biss’ lighting the final scenes held within the prison had an impressive tangible eeriness.

I’m sure it is a comfort to many to learn of Claude and Marcel’s story, to know that they existed, existed proudly and fought for a better world. It’s important, apt in pride month and alongside the recent supreme court rulings to learn of these historical figures. Despite well crafted moments, this production of Who is Claude Cahun? lacks strength but undoubtedly needs to be told.

Who is Claude Cahun? runs at Southwark Playhouse until 12th July 2025.

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★★★☆☆ (3*)

Gifted tickets in return for an honest review | Photography by Paddy Gormley