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Weer | Soho Theatre Walthamstow

  • Writer: Cameron Snook (he/him)
    Cameron Snook (he/him)
  • Jan 14
  • 2 min read

The critically acclaimed, award winning Weer returns for one final stop at Soho Theatre Walthamstow, and this is a stop you do not want to miss!


A madcap, one-woman comedy recollecting the gloriously bonkers love story of Christina and her (literal!) other half, Mark, from 1996 through to New Year’s Eve 1999; a show that is as unhinged and ridiculous as the premise promises. This piece is a laugh a minute tour de force, powered by stunning physicality and an utterly fearless stage presence from Natalie Palamides.


Palamides' control over her body is seriously impressive - displaying humanistic clowning at its absolute best, with slapstick that is precise and virtuosic, bringing both Christina and Mark to life at the same time in bold and exciting ways.



The multiple cleverly designed costumes become active comic tools, whilst the sheer number of props brilliantly enriches the chaos, bringing life to the couple’s mess of a strange little world. One of the great joys of the show is how, in the midst of the mayhem, you’re never quite sure what’s intentional and what’s gone “wrong”, which just adds to the comedy and madness of the piece.


Palamides' ability to cement the audience as a second cast member is deeply satisfying and engrossing, helping everyone really side with two toxic lovers in a way you would never suspect. The sneaky and subtle UK specific jokes land fantastically without ever feeling crowbarred in and keeping this american rom-com approachable and exciting for British audiences.


Palamides, additionally, shows a remarkable ability to break the fourth wall while never dropping the act, keeping these hyperbolic characters rich and serious even as the show winks at itself. Her biggest strength truly comes from how seriously these characters seem to take themselves, whilst she takes them as a joke all at the same time.



The consistent 90s music motif works perfectly, underscoring the piece with nostalgia and momentum, and the whole thing feels like a bonkers, late 90s reimagining of Romeo and Juliet with even worse lovers; yet it is still rooted in romance in a way that is ridiculous and oddly moving.


The subtle lighting design also brings the piece to life; whilst never distracting the audience it still has the capabilities of transforming the almost set-less stage into something fluid and alive, bringing the audience on a tour through many locations and situations. Combined with Palamides' unmatched presence. This overall set up (whilst potentially daunting in such a large space) truly grips the audience into Christina and Mark’s story, no matter how ridiculous it may be.


This romantic farce is bold, chaotic and executed with astonishing skill, Weer is a masterclass in physical comedy and storytelling. A major triumph.


Weer plays at Soho Theatre Walthamstow until 24th January 2026.





★★★★★ (5*)


Gifted tickets in return for an honest review | Photography by David Levene

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