Waitress | The Lowry

Waitress the Musical closes its 10th anniversary UK and Ireland Tour at the Lowry in Salford this week, bringing Jessie Nelson's book and Sara Bareilles' beautiful score together to delight audiences with a delicious helping of musical theatre heaven pie. Based on the 2007 film of the same title, the musical follows Jenna, a waitress trapped in an unhappy and controlling marriage, when an unexpected pregnancy and a whirlwind affair with her doctor encourages her to reconsider the life she wants for herself and her baby.

The thing that most stands out about Waitress the Musical is the way in which it doesn't necessarily rely on big show stopping numbers and extravagant set pieces, and instead the beauty of the show is in its simplicity. Director Abbey O'Brien, who has reworked the original direction by Diane Paulus, ensures that the use of movement is a key tool in storytelling throughout and it's beautifully done.

With support from Lorin Latarro's movement direction, the ensemble become the striving force of the narrative, creating atmosphere and supporting the change of locations seamlessly. With baking being such a prominent theme throughout, it's lovely to see how these movements have been interwoven into the storyline. Particularly memorable are the sequences inspired by Jenna’s pie-making, where playful choreography incorporates ingredients and props to bring her imagination vividly onto the stage. These moments provide a delightful visual flourish while offering a glimpse into the creativity and escapism that baking provides for Jenna.

Nelson's book ensures that there is the perfect balance between comedy and heartbreak, ensuring that the lighter moments of the show stand out without diminishing the effects of the darker and difficult themes. It's refreshing to see a musical where so many characters feel fully fleshed out and so many subplots have the space to be developed.

Taking over from Carrie Hope Fletcher in the role of Jenna is Lucie Jones, who is heartbreaking and devastatingly stunning. Bareilles' music is the beating heart of the show, with plenty of moments for acting through song; and Jones shines at every opportunity. She Used to Be Mine and Everything Changes are undoubtedly standout moments of the show where Jones dominates the stage with a deeply affecting and powerful performance, yet what truly shines is in her physicality in some of the more subtle moments.

It's always a joy to watch Evelyn Hoskins on stage, as she returns to the role of Dawn, embracing the character's endearing and quirky character without making her a caricature. There's the perfect balance between finding the humour and sensitivity in the character as she embarks on a journey of self-discovery. Bernadette Bangura takes over the role of Becky with plenty of charisma and energy, and the natural chemistry between these three women is a huge asset to the musical. There is a genuine sense of unity and connection which makes their friendship utterly believable.

Dan Partridge brings an endearing awkwardness to Dr Pomatter, blending gentle humour with genuine sincerity, whilst impressing vocally. Mark Anderson as Ogie undoubtedly steals the show at every given moment, bringing the necessary light-hearted moments to the show.

Scott Pask’s diner set feels lived-in and authentic, immersing the audience in the small-town world these characters inhabit, while the adaptable design allows transitions between locations to happen seamlessly. Ken Billington’s lighting design makes effective use of warmth to capture the comfort and camaraderie of the diner before shifting to a bleaker, more claustrophobic atmosphere in Jenna’s home. Suttirat Anne Larlarb’s costumes help establish each character’s individual personality, while the live onstage band adds an intimate musical warmth that enhances the production’s sense of community.

Waitress the Musical combines the right ingredients to provide a generous helping of musical theatre delight - it's a show that embraces powerful storytelling with important themes, whilst also allowing theatre fans to revel in standout powerhouse numbers and beautifully choreographed movement sequences.

★★★★★ (5*)

Gifted tickets in return for an honest review | Photography by Matt Crockett and Johan Persson