Little Women | Storyhouse Chester
- Vicky Humphreys (she/her)
- 2 days ago
- 3 min read
Little Women is a classic novel with themes and messages that are still as relevant now as they were back when the original novel was written by Louisa May Alcott back in 1868. Set in the Civil War era, we follow four sisters, The March Sisters, all embarking on journeys of self-discovery with very different ambitions. Amidst the uncertainty of a war taking place whilst facing love and loss, each of the sisters work through the challenges of finding their own place in the world.
Directed by Loveday Ingram, this play honours the novel's legacy with a classy and stunning production that shines a spotlight on the well loved characters and the overall themes of the show. Along with Mike Ashcroft as Movement Director, we see each of the sisters seamlessly grow through the scenes. Set changes feel natural aided by stunning cast group vocals of Christmas hymns, composed by Matthew Bugg. The direction of the play ensures that each character feels fully fleshed out and relationships and story arcs are explored to their full potential.

Stepping into the role of protagonist Jo is Natalie Dunne, who effortlessly balances the passionate and fierceness of Jo with her more vulnerable side. Her boisterous and no-nonsense energy is infectious and her playful chemistry with Perry Williams as Laurie feels authentic. With a story centred around women fighting for ambition, one can't help but root for Dunne's Jo due to her steadfast spirit, as well as her unwavering loyalty to her family. Megan Richards is absolutely stunning as gentle and selfless Beth, and brings emotional resonance to the story. Jewelle Hutchinson's determined and selfish Amy allows for some great moments of comedy and Jade Oswald's quiet strength and yearning for stability is admirable.
Williams' dry, yet charming and personable Laurie brings heart and humour to the story. Likewise, Tom Richardson's Brooke and Baher is a grounding presence, a gentle reminder to be grateful for the dependable people we have in our lives. Belinda Lang is sharp and authoritative as Aunt March, with her cutting and snide remarks hitting their mark for comedic value. Juliet Aubrey does a stunning job as Marmee, giving the audience a glimpse into the hardship of having to hold the family together in the absence of Mr March.

Ruari Murchison's is visually striking, perfectly setting the era that the story is placed in whilst still providing warmth and a homely feel. Set during the festive period, a decorated Christmas tree stands on the stage with a piano and shelves adorned with well-loved books. A circular table sits at the centre, with trees placed around the interior of The March's home. This effectively enables the character's performances to be at the forefront of the production. Mike Roberston's lighting design is effective in striking the balance between the cosy living space to the more emotional and reflective tones mirroring Jo's world.
Overall, Little Women is a truly heartwarming production. With such well-defined characters and incredible performances all round, we are able to relate and identify with the story and the characters onstage. Each thoughtful aspect of production collaborates well together to bring the charm of this incredibly timeless novel to life.
Little Women plays at Storyhouse Chester until 18th October 2025.
★★★★☆ (4*)
Gifted tickets in return for an honest review | Photography by Nobby Clark
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