Art | Theatr Clwyd

Art at the Theatr Clwyd is one of those plays that proves you don’t need a complicated plot or set to create genuinely compelling theatre. It’s sharp, witty and incredibly funny - but beneath the humour sits a poignant and thoughtful exploration of friendship, pride and the way people change over time. This production, directed by Simon Phillips, is beautifully judged and thoroughly deserving of an enthusiastic reception.

The premise is wonderfully simple. Serge (Chris Jones) is a successful dermatologist, who spends an eye-watering 100,000 euros on an almost entirely white painting. What should be a straightforward purchase quickly becomes the catalyst for a much bigger conversation when his oldest friend, Marc (Phillips) is horrified by the decision and begins to question whether Serge has changed beyond recognition. Their mutual friend, Yvan (Stuart Rathe) desperately tries to keep the peace while being pulled in both directions.

Although the play is over thirty years old, it feels remarkably current. The debate over what constitutes art may have evolved, but the themes of changing friendships, differing values and the insecurities that develop over time remain instantly recognisable.

What makes Art particularly engaging is that it avoids becoming predictable. The script is packed with quick-fire humour and moments of genuine absurdity, allowing the audience to laugh while also recognising uncomfortable truths within the characters’ relationships. The dialogue is clever and natural, and the occasional direct addresses to the audience add another layer of comedy.  The three actors are truly exceptional in their portrayal of the characters.  Awkward pauses, facial expressions and eye rolls are hilarious, with the Theatr Weston the most perfect venue for this clever craftsmanship.

The production retains momentum throughout, building towards a satisfying and emotionally resonant conclusion.The performances are superb across the board. Phillips captures Marc’s barely contained frustration through subtle physicality and facial expressions as much as through the dialogue. Jones brings warmth and confidence to Serge, while allowing flashes of vulnerability to emerge at just the right moments. Rathe almost steals the show with an extended monologue that is brilliantly timed and had the audience in stitches, despite its heartfelt content.

The production design is understated but highly effective. The minimalist set keeps the focus firmly on the relationships, with the infamous white painting dominating the space throughout. The costume choices also cleverly reinforce each character’s personality and changing outlook, subtly reflecting the divisions that emerge between them.

Ultimately, Art is much more than a comedy about a painting. It’s a perceptive, intelligent and highly entertaining examination of friendship, ego and identity that is thought-provoking and relevant. It’s an engaging production filled with laughter, strong performances and plenty to reflect on long after the show ends.  

★★★★★ (5*)

Gifted tickets in return for an honest review | Photography by Mark Carline